The Loving v. Virginia decision was a pivotal civil rights ruling. In recent years, legal scholars have wrestled with what exactly it has meant to jurisprudence since. One great book co-edited by Kevin Noble Maillard is Loving v. Virginia: in a Post-Racial World: Rethinking Race, Sex, and Marriage (2012). We highly recommend it if you want to understand more about the legacy of this case.
Loving Day is an annual nationwide grassroots celebration to celebrate the Loving v. Virginia decision. The brainchild of Ken Tanabe, Loving Day’s mission is to fight racial prejudice through education and to build multicultural community.
Richard Loving was a white man who was in some ways “passing” as black. As writer and scholar Arica Coleman wrote: “[Richard Loving] lived in a county that was less than 50% white. His father was the employee of one of the wealthiest “Negroes” in the county for nearly 25 years. Richard’s closet companions were black, including his drag-racing partners and Mildred’s older brothers.” Coleman explains that the Loving’s “are prime examples of the way such [racial] lines have long been blurred.”
Richard and Mildred Loving raised three children Sidney, Donald and Peggy. Scholar and write Arica Coleman has explained that Sidney was Mildred’s son from a prior relationship. Donald was born 4 months after they were married. Peggy is their only daughter.
Chief Justice Ear Warren wrote the unanimous Loving v. Virginia. “To deny this right on so unsupportable a basis as racial classifications embodied in these statutes, classifications so directly subversive of the principle of equality at the heart of the Fourteenth Amendment,” wrote Warren , “is surely to deprive all the State’s citizens of liberty without due process of law.”
Thurgood Marshall would join the Supreme Court a few months after the Loving v. Virginia decision. Marshall who married his second wife, Cecilia Suyat who is of Filipino descent, in 1955 was in an interracial marriage himself. In a 2016 Washington Post interview, his widow Cecilia “Cissy” Marshall said that when he first proposed she responded:
“‘No way. No way. People will think you are marrying a foreigner’ . . . He said, ‘I don’t care what people think. I’m marrying you.’ He was so persuasive. So we got married. And, actually, there was no repercussion because people knew me.”
We are excited to share two special film screening programs that feature filmmaker Q&As and also a special discussion with leading scholars in their fields. We will showcase recent films about interracial relationships in the morning program and films about the mixed-race and multiracial experience and identity in the afternoon program. Immediately following the screenings there will be scholar-led talks that connect current storytellers’ work in a larger historical and legal framework and link the social, cultural and economic status of multiracial populations to the broader dynamics and politics of race. There will be an opportunity for the audience to ask questions. Filmmakers will also be available to answer audience questions.
black enuf* explores the expanding black identity. This animated documentary takes a playful approach to heavier questions of race, difference, and self-acceptance.
“My animated documentary, black enuf*, examines the expanding black identity through a personal journey. The film interweaves stories from my great grandmother’s autobiography, interviews of family & friends, and my hand-drawn memories. Starting off as a queer oddball in a white world, I navigate my path to self-confidence. My tongue-and-cheek humor makes such a heavy topic easier to digest. The visuals mix Monty Python style cut outs, infographics, watercolor, and a variety of illustrative styles.”
Carrie Hawks harnesses the magic of animation to tell stories. Their first film, Delilah, won the Best Experimental Award at the Reel Sisters of the Diaspora Film Festival (2012). Their films have screened films at BlackStar, CinemAfrica, and MIX Queer Experimental Film Festival. The Jerome Foundation gave generous funding to black enuf* Prior to filmmaking, Hawks concentrated on visual art and design. Their work addresses gender, sexuality, and race.
Bi-racial filmmaker Octavio Warnock-Graham attempts to learn the identity of his father and the circumstances of his birth, two topics never discussed by his white mother in their suburban household. Set in Maumee, Ohio, the filmmaker struggles to understand his mother, Harriet Warnock, and her decision to suppress her son’s racial identity. It is a question that no one in the family has been asked or can answer.
The camera captures the family’s inner demons — one mention of Warnock-Graham’s half-black parentage nearly gives his white grandmother a heart attack. Warnock-Graham’s family embodies the denial found in multicultural families across the country, and reminds us that the ideal of racial purity persists in America.
Silences is not about race and it is not about shame. It’s about the problems that every parent faces in raising a child and every child faces in coming to terms with the choices, for better or for worse, that a parent makes.
Octavio Warnock-Graham’s documentary Silences is currently used as an educational tool by over 200 universities around the United States.
He is a member of the worker owned-cooperative, Time of Day Media, which collaborates exclusively with social justice organizations and he produces and edits for CUNY TV, the largest university television station in the country.
#EmergingUS: Mixed
“What are you?” Mixed race people in America are constantly being asked this question. In this #EmergingUS video, members of HAPA USC, flip the script by asking people on the street “What are YOU? We also explore the different modes in which multiracial people, an increasing group across the country, define and classify themselves.
Shauna works as the Executive Video Producer for #EmergingUS productions, and for the immigration focused non-profit, Define American. In her previous work, she was an Assistant Editor at MeetingHouse Productions and Tommie Copper Productions, a Senior Production Assistant at Zero Point Zero Productions, a Coordinating Producer at Hot Air Productions and a Senior Associate Producer & Casting lead for the Emmy-Nominated MTV special White People. She holds of Bachelors of Arts from Oberlin College. As a storyteller, she’s dedicated to exploring the complexity of our American identity.
Reginald Daniel is a Professor of Sociology at the University of California, Santa Barbara. He has numerous publications that examine race and multiraciality, including More Than Black? Multiracial Identity and the New Racial Order (2002), Race and Multiraciality in Brazil and the United States: Converging Paths? (2006), and Machado de Assis: Multiracial Identity and the Brazilian Novelist (2012). I am also co-editor of Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union (2014) and Editor in Chief of the Journal of Critical Mixed Race Studies (JCMRS).
Maria Leonard Olsen (Moderator) is a lawyer, radio talk show host, journalist, writing retreat leader and author of “Mommy, Why’s Your Skin So Brown?” and “Not the Cleaver Family—The New Normal in Modern American Families.” Maria graduated from the University of Virginia School of Law, served in the Clinton Administration’s Justice Department, raised two multiracial children, and fostered newborns awaiting adoption. She’s written for The Washington Post, Washingtonian, Parenting, and Washington For Women, among other publications.
This project was made possible with support from California Humanities, a non-profit partner of the National Endowment for the Humanities. Visit www.calhum.org.
Any views, findings, conclusions, or recommendations expressed in this program or on this website do not necessarily represent those of California Humanities or the National Endowment for the Humanities.
We are excited to share two special film screening programs that feature filmmaker Q&As and also a special discussion with leading scholars in their fields. We will showcase recent films about interracial relationships in the morning program and films about the mixed-race and multiracial experience and identity in the afternoon program. Immediately following the screenings there will be scholar-led talks that connect current storytellers’ work in a larger historical and legal framework and link the social, cultural and economic status of multiracial populations to the broader dynamics and politics of race. There will be an opportunity for the audience to ask questions. Filmmakers will also be available to answer audience questions.
Exploring the impact of race and culture on relationships, PG is specifically pertaining to parents that feel uncomfortable with their children being romantically involved with someone outside of their race/culture. The film ventures through different avenues of dealing with this issue, while still maintaining one’s relationship with their parents.
Akil McKenzie is a film director, cinematographer, and editor that is enrolled in his third year at Sheridan College’s Bachelor of Film and Television. He has filmed and edited weddings, short films, music videos, and more. He is a hard worker that takes pride in his work and adjusts quickly to any situation. He is very easy going with a charismatic attitude.
Kimberly West-Faulcon, the former Western Regional Counsel and Director of the NAACP Legal Defense and Educational Fund, Inc, holds the James P. Bradley Endowed Chair of Constitutional Law at Loyola Law School in Los Angeles. West-Faulcon was featured in the Los Angeles Simon Wiesenthal Museum of Tolerance “Freedom’s Sister” Exhibit as a “Southern California Freedom’s Sister” in 2011. In addition to her selection as a “Southern California Super Lawyer” in 2004, 2005, and 2006 and a “Rising Star Lawyer Under 40” in 2004 by Los Angeles Magazine, she was recognized in the 1999 millennial issue of Ebony magazine as one of Ebony’s “Ten for Tomorrow” (along with Serena Williams, Sean Combs, Chris Rock, and Tiger Woods) “who will almost certainly redefine their fields in the next millennium.” She has also been featured, quoted and interviewed extensively by national media such as CNN, The New York Times, The Los Angeles Times, The Chronicle of Higher Education and NPR.
This project was made possible with support from California Humanities, a non-profit partner of the National Endowment for the Humanities. Visit www.calhum.org.
Any views, findings, conclusions, or recommendations expressed in this program or on this website do not necessarily represent those of California Humanities or the National Endowment for the Humanities.
In this interactive storytelling workshop you will learn how to tell your Mixed experience story. Using improv, breath awareness, and voice techniques, participants will learn skills to inhabit curiosity and their full selves. This interactive workshop is led by professional actor and master teacher Rayme Cornell.
Rayme Cornell is an Assistant Professor on the Performance Faculty at UNLV. She teaches in the Graduate studio and is the Head of Undergraduate Actor training. She has been a Professional Actor for over 20 years. Rayme is a member of the Screen Actors Guild, American Federation of Television and Radio Artists and Actors Equity Association. Rayme received her B.A. in Musical Theatre from the University of Nevada Las Vegas and her MFA in Acting & Directing from the University of Missouri Kansas City in association with the Missouri Repertory Theatre. She was the host of the national award winning PBS show Real Moms, Real Stories, Real Savvy. She has worked in film, television, Off Broadway and with some of the nation’s most prestigious Regional Theatres including, The Old Globe, The Alley, Crossroads, ATC, The Vineyard, Nevada Conservatory Theatre, Philadelphia Theatre Company, Primary Stages, The O’Neill, Missouri Rep., Unicorn Theatre and with New York’s famous Acting Company. Rayme is a private coach for professionals. Her speech and acting clients range from network News Anchors and Celebrity Chefs to UFC champions. Rayme is also known for her extensive voice-over work. Rayme is a Master Teacher at the Don LaFontaine Voice Over Lab at the Screen Actors Guild Foundation in Los Angeles and New York. Rayme has represented such products as L’Oreal, Ford, Dunkin Donuts, Cingular, Singulair, Lifetime, WE, Oxygen Network, USA Network, MTV, VH1, BET, ESPN, History Channel, Discovery Channel, Republican and Democratic Candidates and many more. Her greatest role to date is that of being Brick’s Mom.
It’s 2017. What’s the big deal about the mixed-race experience? It’s a question we keep hearing from many younger people. Is the mixed-race conversation is still relevant 50 years after Loving and given the current political climate on issues of race? Panelists of four different generations address these issues. There will be extended time for audience Q&A.
Kayla Briët is a 20-year-old filmmaker and composer, who explores stories of identity through multiple mediums. Her short documentary film, Smoke That Travels, invites you into a world of dance, music, and culture as she explores her fear that her native Prairie Band Potawatomi heritage will be forgotten in time. This screened and won awards internationally, including NFFTY, MoMa, The Smithsonian, and National Geographic. Recently, Kayla
One of the hottest comedians on the Hollywood scene, Actor, tv/radio host, and activist, Tehran Von Ghasri, is a Washington DC native. Mixed Iranian and African-American, Tehran is known for his multiculturalism, diversity, and unique life perspective. With degrees in International politics, economics, and law, Tehran often brings activism and social commentary to life on stage through his comedy. A Laugh Factory favorite, Tehran has been seen on Fox, Bravo, Pivot, Revolt and Comedy Central.
Caroline A. Streeter is Associate Professor of English and African American Studies at UCLA. Her book Tragic No More: Mixed Race Women and the Nexus of Sex and Celebrity (University of Massachusetts Press, 2012), looks at mixed race, black/white women in literature, film and popular culture of the United States. Her publications include essays in The Multiracial Experience, New Faces in a Changing America, Black Cultural Traffic, and The Iconic Obama.
Dr. Greg Kimura was ordained at age twenty-five in Alaska. He then obtained a PhD in philosophy of religion and taught. He then served as the head of Alaska’s humanities council before taking on the role of president/CEO at the Japanese American National Museum in Los Angeles. He now serves as Rector of St. Andrew’s Church in Ojai, Ca. Kimura is hapa, half Anglo and half Japanese.
Karen Grigsby Bates is a Los Angeles-based correspondent for NPR, where she covers race, identity and culture issue for the network’s award-winning Code Switch team. Her work often appears on Morning Edition and All Things Considered. A former contributing editor to the Los Angeles Times op-ed page, Bates’ work has also appeared in the New York Times, The Guardian UK, Essence and Emerge magazines.
Richard Loving died in a car accident in 1975 when a drunk driver struck his car. Mildred lost an eye in the same accident. Mildred never re-married. She lived the rest of her life in the Virginia home Richard built.
stristr(): Argument #1 ($haystack) must be of type string, array given